ChrisTribute believes in holistic development and therefore brings numerous opportunities in the form of events held time to time. Here is a glimpse of our events and winning entries of extremely talented Christites.
Winners for the Month of July 2022
the narrative –
“your mouth remains bleeding and everyone’s hands shiver to carry all the blood that falls. yet i believe whatever red falls on these rough palms belongs to us. it belongs to us.”
the poem –
chasing off the second one of your kind.
have i ever spoken about your hand on mine when i hold a pen? have i ever spoken over your mind about mine?
this isn’t what i want to tell the people about.
no left heart has ever been as silent as my soul
and my heart is to the left but the red doesn’t reach my mouth. my mouth remains bereft of all blood.
your mouth remains bleeding
and my hands are destined to carry all the blood that falls.
my hands shall carry your voice
and it is for everyone to see;
and hear.
and if they die tomorrow,
would they not think about what i carry of you
in my palms belonged to them?
you say we’re kind people,
and i am kind.
so i shall give it to all, your ideas, your thoughts,
I shall give it to all, my all.
it belongs to us;
whatever blood falls on these rough palms,
it belongs to us.
– Aayushi Modi, 3EPH
“Poverty is the parent of revolution and crime” – Aristotle
Revolution and crime, said in the same breath To rebel, to fight for yourself is a crime They speak about freedom fighters and martyrs And in the same breath ask us to bind ourselves With chains of a foreign normativity
We pay to live in a land we were born into To follow rules set down by a powerful few Knowing well, we can cease any second For the “prevention” of unlawful acts Restrictions are put on our bodies, our minds To act freely is illegal. To speak freely is illegal. For now, to think is free, not sure till when Apparently the way to live in an unfree world Is to be so absolutely free that your existence Is an act of rebellion, says Camus
I say burn the world that doesn’t let you
Be absolutely free. Being free is not rebellion Morality has only made a few people rich And the others, robbed of their freedom
If I cannot grow my hair out, naturally
If I cannot grow hair in certain places, naturally If I cannot colour my own natural hair
If I cannot be attracted to someone Which is in my nature
If I cannot change who I am because I wish to If I do not have rights to my own body
To my own mind, to my own skin
Then isn’t that what is the most unnatural? And if so, to that hell of repression, my father
My country has been dragged down
I am not much of a rebel with action
I would not be where I am if I was
That is the sad reality I must accept
But rebel I will, however I can Revolutions are not started by outspoken rebels It starts as a whisper, as growing unrest One day, when the bells and the alarms blare I will be there on the street waving the flag Not of the oppressors, of the oppressed Not of patriotism, of humanity
Not of hate, of love
To misquote Marx for the sake of it
Let them tremble at our rebellious freedom For when we set out into the streets
We will have nothing to lose but our chains And we will have a new, free world to gain Let the revolution win. Let the revolution win.
Sidharth AM, 5ENGH
Inquilab
Revolution is a term that is bound by political ideologies as soon as someone thinks about it. Ironically, a word that offers freedom, is usually bound in shackles. But is it not our inherent nature to revolt, change and revolutionise? I shall provide some examples to illustrate these surging tsunamis.
When Amitav Ghosh writes that humans by nature are catastrophic, the shackles of revolution are shaken. Do we believe in such a statement? If revolution is seen as a drastic change of space, time and perception of reality then such a statement would make sense. Revolution offers change but not any change, a drastic change. The change that I am talking about has to be so radical that it has to be thought in red. Blood red. Not the kind of red that you see on traffic lights or Stop signs. The kind of red that is red with a purpose. The kind of red you bleed when an affectionate kiss can be turned into a wound. The kind of red that does not flow but it creates tsunamis.
In recent pop-culture I remember seeing this kind of “catastrophic” trope. In the first season of Marvel’s Loki we see how the timeline the universe works on is always “manifesting” to break lose. Then revolution is seen as not an absent thought but a suppressed one. A thought that you feel is wrong to feel. It might not be socio-political but in one’’s own stream of consciousness. A thought so strong it feels like it will create ripples in the stream and let it out from your goosebumps. Revolution is a tea in a boiling pot with a lid on. If you decide to remove the lid or not, the tea will spill.
“Hum Hain Ki Hum Nahin?”, shouts Haidar in front of a defeated Kashmiri crowd. The question of a collective existence that is collectively erased. Revolution in Haidar, is the question of this existence itself. The collective freedom cry in Haider is the voice of a change. To ask if I exist or not entails that I absolutely do. If this “Absolute” is anything but an absolute the revolution will crumble. For example: I maybe do or I perhaps do or even I really do. The absoluteness of existence lies in the freedom cry. Hence, when Descartes conceptualises about his existence through thinking, this thinking in our course of action where freedom is a privileged commodity, should and must be: I revolutionise, therefore, I am.
The other constant than revolution has to be sexual desires in humans throughout our hisory. The song “Lahu Muh Laggaya” has to be a flagship of this constant. But the beauty of the song is that it is written in red ink. The idea is that once you have tasted blood, you cannot go back. The human mind cannot be made farther from the spirit of revolution. Sure, one can suppress it. One can put barriers of “should” and “should not”. One can drill the idea of the stable life into my eye sockets but the human mind will still bleed the tears of revolution. Once, I have tasted blood, I wont and cant go back.
On a more theoretical basis the Althusserian idea of contradictions have always induced a kind of pleasurable pain in my chest. Contradictions are like building blocks of imbalance structures. The problem does not end with the corrupted blocks. I call them “blocks” because they are building a whole another, bigger and hungrier imbalanced structure. Multiple ruptures collectively rupturing our minds. But one flaw within this structure of flaws is that contradictions demand to be broken. The blocks present a possibility for revolution to creep in them and break them from the very contradiction. The crevice of the rich for labour to dig deeper.
So you see revolution is not something that is new or sudden. For a glass container to boil, sand is revolutionised into glass. The sand breaks away from huge mountains. Tectonic plates collide and create mountains. The moon shall always demand for the Sun to set because the Sun loves to shine. And that shine can be blinding if it stays for too long.
Inquilab Zindabad!
Bilal Khan, 5ENGH
Event for the Month of March 2022
As children, all our Bollywood souls had consumed a very “filmy” idea of love. As we grew up, this idea grew along: with more cinema, more books, more observation and more experiences.
Since we couldn’t bring this event to you last month, with the month of love coming to an end, Christribute has brought to you an event on your unique perspective of love.
Write a creative piece exploring this emotion and get a chance to get published on our blog!
Criteria:
Submission in Word Doc or PDF
Submit your photograph along with the document
Send in your submissions to:
ellipsis.ecs@christuniversity.in
The Submissions for the event will close on the 15th of March!
For inquiries contact:
Steffi: +971 50 879 0540
Needhi: +91 70338 34444
Samridhi: +91 93897 52877
Winners for the Month of November 2021
The vicious sphere of Pandemic entangled us in the shackles of depression; the whole world stood horrified as there was just the air of doom around. However, around the corner, one could listen to the mesmerizing tone of the embarking starry days, which showcased the scintillating normal life, away from the murkiness of the Pandemic.
So Christribute here brings an event for November, which talks about the hope for daylight to enter our lives and sail us to the new normal. It is more like gazing at the beautiful starry sky or days which may seem a bit distant, but we will soon be able to welcome the new bright life after a long period of eerie Pandemic.
Write a creative piece beautified with Illustrations related to the theme of gazing at distant starry days, which will mark the sunrise of the long-awaited advent of so-called new normal or waiting to step into the starry days after the conclusion of the horrendous global chapter of Pandemic.
Criteria:
Submission in Word Doc or PDF
Submit your photograph along with the document
The best three entries will be up on the campus blog!
Send in your submissions to:
ellipsis.ecs@christuniversity.in
The Submissions for the event will close on the 20th of November!
For enquiries contact:
Steffi: +971 50 879 0540
Needhi: +91 70338 34444
Samridhi: +91 93897 52877
Winners for the Month of October 2021
Although the feeling of being young and youthful can be achieved at any age, the various confusions, dilemmas and struggles of youth are mostly restricted to a certain age group: our age group. We are considered too old to do and say certain things, while too young for some others.
Christribute brings to you an event to celebrate the chaos of our age. Write about anything that you find chaotic about our age group (18-24) : it could be anything from life changing decisions, struggles, changing worldviews, mental health, relationships with yourself or others. Also, include what helps you deal with this chaos.
Criteria:
Submission in Word Doc or PDF
Submit your photograph along with the document
Send in your submissions to:
ellipsis.ecs@christuniversity.in
The Submissions for the event will close on the 20th of October!
For enquiries contact:
Steffi: +971 50 879 0540
Needhi: +91 70338 34444
Samridhi: +91 93897 52877
Winners for the Month of September 2021
Don’t you love when you hear old melodies by Lata Mangeshkar and Mohammed Rafi, but then you strangely start relating to your parents when they say that they don’t make good music anymore? And then, you listen to ‘Aaoge Jab Tum’ from Jab We Met, ‘Ek Dil Ek Jaan’ from Padmavat or ‘Mere Dholna’ from Bhool Bhulaiyya and think to yourself that the industry will always make good music. We just have to find the pearls in the ocean…
Hindustani music is one of the two most important and popular forms of Indian Classical Music. Hindustani music has always been a form where instruments are given a lot of significance. With the different rhythmic talas and the melodic ragas, earlier, most of the music in the industry was inspired by classical music, but with time and the permanent change, music evolved, and Hindustani music had lost its place somewhere. However, it has always made its way back again in the Hindi Film Industry.
Write a piece on how classical music has gained a new angle in Bollywood over the past decades and also about your favourite song from a Hindi film, which has been inspired by classical music.
Criteria:
Submission in Word Doc or PDF
Submit your photograph along with the document
The best three entries will be up on the campus blog!
Send in your submissions to: ellipsis.ecs@christuniversity.in
The Submissions for the event will close on the 20th of September!
Past Events
Shared Shelf Event
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Click on the link given below to see the top three entries on our IG:
WINNER: Raveer Bajwa (5BBAH C) https://www.instagram.com/p/CBsejyVgoL3/
FIRST RUNNER-UP: Vanshika Bhatt (5JOUH) https://www.instagram.com/p/CBsBlQNApoV/
SECOND RUNNER-UP: Suryansh Bhatt (5BBAH D) https://www.instagram.com/p/CBsAVS4A9G6/
Shared Shelf Events


“We had the stars, you and I. And this is given once only.”
– Andre Aciman

Call Me by Your Name. Where do I even start? Well, I think I’ll start off by saying I LOVE this story, the movie and the book alike. I don’t think there’s any other book to movie adaptation about which I can say I love both the book and movie equally. I watched the movie first around May last year and read the book this year and re-watched the movie right after. And Find Me, the sequel, sits on my bookshelf waiting to be read. Having watched the movie first, there was something about the first frame that pulled me in. Combined with the ethereal music, it felt as if I was being transported into another world, and in a way it did, as the story is set in the 80s. If I were to describe the feeling the movie gave me, the words ‘lazy sunshine’ come to mind and seeing how much time Elio and Oliver spent lazily by the waterside enjoying the sunshine, I feel it is quite appropriate. I went into the movie blind without knowing what it was about and it was really a beautiful experience watching Elio’s and Oliver’s story bloom and it was equally heartbreaking to watch it end. Needless to say, I ugly cried watching this movie (oops?) but as far as heartbreaks go it was a beautiful one. One particular scene in the movie stuck out to me. It was the one when Elio and Oliver are in Rome wandering around at night arm in arm and Elio looks at Oliver with this look of pure wonder and awe. I felt that the wonder and innocence of first love was captured in that moment and that look perfectly.
Having seen the movie, I knew what would happen when I read the book, but it did not make the experience of reading the book any less. The details in a book are always more pronounced than in the movie and Call Me by Your Name was no different. The book, written in Elio’s perspective gives an exact picture of what is going on in his mind, every little though he has about Oliver or otherwise, his worries, his doubts however fleeting they are, the moments of happiness he feels, and his whole journey of self discovery ending in his first real heartbreak, all written so carefully and beautifully making Elio feel very very real. Even characters like Marzia have a very tangible touch of realness. We find out that Oliver, whom Elio had put on a pedestal with complete adoration, was just another human who was not perfect after all.
One of the main things that stood out to me about the book was the time Elio and Oliver spent together in Rome. It was so beautiful, the feeling of a beautiful city and the one you love by your side, the spontaneity, the conversations Elio has with the people at the party, everything had a touch of fairytale beauty and yet I knew the heartbreak was coming, and so did Elio in a way. And when it did, the finality of it and the events that followed somehow made it both terrible and beautiful in a way.
One of the main differences of the book from the movie is of course the ending. In the movie we see a 17 year old Elio staring at the fire, tears brimming in his eyes, with the world around him moving on unaware of how totally his own world had been destroyed. It is a powerful scene to leave us with and I think it makes the movie all the better. But in the book we see Elio and Oliver as middle aged adults meeting again. And there is something in that meeting, the conversation they have, even Elio’s tiny spark of hope quickly quashed, of two men wondering what would’ve been, and then their realisation that life had passed them by. The reality of life that hits the reader and the characters at this point is incredible, heart wrenching and dare I say more heartbreaking than when Elio and Oliver had to part when they were younger. It is not always fairytales and happy endings in life.
I still struggle to put into words the feeling Call Me by Your Name gives me or even why I like it so much but there is something in it that made me completely fall in love with the characters and the story and the setting and just everything about it. Watching the movie again after reading the book gave me better understanding about all of it and only made me love it more. And of course the music by Sufjan Stevens in the movie is just. I don’t even have words for it. I feel nothing else could’ve captured the feel of the story more than those songs. There is something magical about Call Me by Your Name and I am certain I will treasure it for a very long time to come. I feel like I could keep gushing on and on about the movie and the book alike, and like I haven’t even cracked the surface of my feelings for it but for now I shall leave you with a quote from the book.
”And on that evening when we grow older still we’ll speak about these two young men as though they were two strangers we met on the train and whom we admire and want to help along. And we’ll want to call it envy, because to call it regret would break our hearts.”

I was in tenth grade when I first watched Call Me by Your Name and although I was introduced to the movie first, and then the book, if anyone ever asked me to choose between the two, I would choose the book in a heartbeat. The movie is exceptionally beautiful in terms of visuals, cinematography, acting, soundtrack and dialogues but it’s also in a way forms a very misunderstood image of Oliver.
I have to add that I watched the movie three times on a loop because I was so distraught by its ending. I was so disappointed by Oliver, because in my head I had structured him as a really introverted but mature character that definitely wouldn’t leave his conflicted teenage lover stranded behind. And Elio was just a young boy who received the shorter end of the stick, the one who gave his all to Oliver and was left with nothing but memories to nurse his broken heart.
But the book really justifies the character’s feelings and motives in a more elaborate manner. Elio from the book is a very temperamental and fickle minded young man. He would jump from one desire to the next frequently; one moment he would hate Oliver and in the next, he would be at his feet, worshipping him. I had the wonderful opportunity of engaging in an email conversation with the author, Andre Aciman, and he really emphasized on Elio not being a reliable narrator.
Elio is young and anxious and he views Oliver almost like a mysterious, scholarly demigod who changes moods like seasons. His desire for Oliver, and his periodic hatred for the same man always limited his description as to who Oliver really was. And even though through Elio’s eyes Oliver was seen essentially as a Casanova, charming all the ladies in the town and playing into Elio’s desires and retreating back whenever and however he wanted, Oliver was just a shy man who was scared of getting too emotionally involved in a young boy’s quest for discovering his sexuality.
Oliver once says “for you it’s still fun and games, which it should be. For me it’s something else which I haven’t figured out, and the fact that I can’t scares me.” He walks on a double edged sword of his own desires and shame. He was raised in a homophobic environment and he knew as soon as summer ended, he needed to get out of this bubble of love and face the real world again. And he was terrified, rightly so.
Reading the book made me realize that Oliver always loved Elio way more than he or the movie could ever express. He would sit by the ocean alone for hours thinking of the summer he spent with Elio while Elio would presume he was out trotting with the ladies of the town. Oliver wasn’t as outspoken with his feelings and desires as Elio was, but with his gestures, he showed that he always completely and wholly accepted Elio as a part of him.
“I believe with every cell in my body that every cell in yours must not, must never, die, and if it does have to die, let it die inside my body.” These were the words spoken by Oliver that made Elio realize how much Oliver truly revered him and probably was the reason he could never entirely get rid of his feelings for Oliver, even years later.
Having watched the movie more than twenty times now, I know just like Elio knows that Oliver is not a villain. He never was the villain; he was just a really misunderstood literary character.
In the words of Heraclitus who was the topic of Oliver’s dissertation, “The meaning of the river flowing is not that all things are changing, so that we cannot encounter them twice, but that some things stay the same only by changing.” which means we can never continue to exist as the same version of ourselves at different points in our life. We consistently change and that’s the only way we remain constant.
This story holds the same place in my life. It touched me in a way that made me evolve into a slightly different version of myself and for that, Elio and Oliver, I will always be thankful to you.

Our eyes met and whispered
In secret tongues of daylight.
Enunciating their love affair,
When you secretly played with my swimwear.
And echoing desires, moaning to be heard,
Lips yearning for satisfaction, for relief, for love.
But your hands are on peach curves.
From wrapping my arms around,
To cycling around Italy.
Amid the sun-drenched splendour,
Our first kiss on the meadows so tender!
Under the dim light from the window,
And the folds of white sheets.
We lie together and make love,
As you utter your own name.
In the darkness of the night,
I brush your hairs with my fingers before we part
If I wouldn’t have been so ashamed,
Oh Elio! You would still be calling me by your name.
“ELIO, ELIO, ELIO………OLIVER, OLIVER, OLIVER”

“I don’t believe it’s real,” I said, as my friends talked about love. But Luca
Guadagnino’s ethos proved me wrong and Michael Stahlberg’s pathos manifested it.
As I lay in bed staring at the ceiling, while feeling a plethora of emotions, I come back to this monologue every single time. As Elio, the protagonist of the film sits evasively with his father after experiencing a tragic heartbreak with another man, there’s evident tension, yet something about it is comforting.
Set in 1983, one would expect a gay relationship to be a disgrace, but Perlman emphasizes that he is not a punitive father. Instead, he envies the vibrant connection Elio shared with Oliver. It’s fascinating because parents live through us and by us. But sons and daughter aren’t theirs. They come from them but don’t belong to them. They are children of life’s
longing for itself and that is what children crave; Validation for who they really are. I saw that in Perlman as he caresses his son’s hair. This is when I realized that, that “something” I previously mentioned, was the love and understanding he had for Elio.
Perlman says, “Right now there’s sorrow and pain but don’t kill it and with it the joy you felt”. Tears ran down my face as I heard it for the first time. That is the most beautiful aspect of life itself, isn’t it? It’s completely letting yourself wallow in pain, guilt, and heartbreak. Even if every cell in your body is drawn to the allure of nothingness. This film is not just about two men falling in love. It’s about the universal human experience, to fall and to keep falling till it consumes you. And it is because of this falling that we face
obstacles that make us break one another. So much so that to a point, we make ourselves weak and constantly search for companionship but have less to offer each time we start with someone new. As much emotion life has, the logic in it is extraordinary. We tend to keep the ones we love on a high pedestal that we forget to be content with ourselves. That is what
Perlman beautifully conveys to his son by stressing “you too are good”. He held his hand like a father should and let him know his feelings are valid.
Human creatures love and unlove. Some have the privilege of finding their fantasy but some don’t. To me, that’s a perfect balance. We understand the science of time, gravity, and space but one thing remains perplexed to humans, perhaps forever, and that is: Love.
To say the least, call me by your name is the single most breath-taking queer- representative movie of this generation that has moved and consumed me as a spiritual being. The depth and intimacy of Elio and Oliver’s relationship will forever be held accountable for transforming me, a solid rock of a person, into a dreamer of ethereal experiences.
“…Words are Futile Devices…”

It’s been a long, long time
Since I’ve memorized your face
It’s been four hours now
Since I’ve wandered through your place
Even though books have their own unique charm and an inevitable destiny of being better than any audio-visual adaptation, sometimes it is the latter that often surpasses them. In the case of ‘Call Me By Your Name’ mayhaps this has happened but one cannot totally dismiss the base for why that particular film adaptation took birth – the book by Andre Aciman. This should be the
case for any film adaptation or vice versa – each are works of art and experimentation and should not be dismissed, no matter how deplorable.
And when I sleep on your couch
I feel very safe
And when you bring the blankets
I cover up my face
I do
Love you
The reason why the film adaptation stuck out more for me is because of the astonishing accompanying soundtrack by Sufjan Stevens. If you have been wondering why the verses from his song ‘Futile Devices’ have been scattered in between my thoughts here, it is so because that is what the song does to you. When the melody is entwined with the end credits of the film, it is
almost impossible to stop back the tears- the audio and the visual aspects enhance the emotions of the particular character and convey it to the spectator/s – the tears surface from Elio’s eyes and trickle down your cheek.
I do
Love you
And when you play guitar
I listen to the strings buzz
The metal vibrates underneath your fingers
The song is written so well that it captures the element of the film and the book as a whole. If the book was missing one part was this song and the various other songs by Stevens – the songs drive the nail home. If one has not watched the movie or read the book, one listen of ‘Futile Devices’
should give them a gist of what the former are about.
And when you crochet
I feel mesmerized and proud
And I would say I love you
But saying it out loud is hard
So I won’t say it at all
And I won’t stay very long
But you are life I needed all along
The verses of the song are drenched with ache, pain and unsatisfied feeling of a love which is not possible. It begins with a hope, a recollection of the moments that were blissful and phenomenal but now in their place is an emptiness, a wasted chance, a regret of experiencing something so
wonderful even when the inevitable sadness is haunting you in the distance. The eerie strings and chords of the song echo in your mind long after having listened to them for the umpteenth time, making you go through emotions which Elio and Oliver feel for each other, in the other’s absence. The film left me speechless and continues to do so because “words..” indeed “..are
futile devices..”.
I think of you as my brother
Although that sounds dumb
And words are futile devices
Lyrics from ‘Futile Devices’ by Sufjan Stevens
Examination FAQs
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